Piano Craft Concerts
While often flexible in nature to meet the demands of ensemble and performance capacities, my music centers primarily around the relationships between my practices in instrumental improvisation, composition, recording/studio technology, and deep listening. This presents itself as experimental electroacoustic music combining pre-conceived structures and improvised ideas on live instruments. One major concept I approach in my practice is the effect of electronic designs on the human artistic voice; where does electronic influence amplify vs. hinder, create vs. destroy, accent vs. overtake, and how does the advent of continued electronic innovation create new musical dialects? Other ideas and processes I associate with my work include the effect of contemporary musical structures and non-musical sound on human states of being, place-based recording and its artistic uses, and the make-up, development, and general subjectivity on what comprises a 'beautiful' sound [musical or otherwise].
